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	<title>Redhead Watch &#187; Catherine Pierce</title>
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		<title>Now I see the landscape behind me</title>
		<link>http://redheadwatch.com/now-i-see-the-landscape-behind-me-96</link>
		<comments>http://redheadwatch.com/now-i-see-the-landscape-behind-me-96#comments</comments>
		<pubDate>Wed, 14 Oct 2009 00:21:36 +0000</pubDate>
		<dc:creator>The Redhead</dc:creator>
				<category><![CDATA[Art & Literature]]></category>
		<category><![CDATA[acrylic]]></category>
		<category><![CDATA[Catherine Pierce]]></category>
		<category><![CDATA[graphite]]></category>
		<category><![CDATA[painting]]></category>
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		<category><![CDATA[Son Dao]]></category>
		<category><![CDATA[This is not an elegy]]></category>
		<category><![CDATA[water colors]]></category>
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		<description><![CDATA[watercolor, acrylic and graphite on paper. 5&#8243; x 7&#8243;. 2006. Painted by Son Dao (equusignis on flickr). Original posting on flickr can be found here. This is posted with his permission. Please do not reproduce it, copy it or post it elsewhere without his permission. This Is Not an Elegy by Catherine Pierce At sixteen, [...]]]></description>
			<content:encoded><![CDATA[<p><img class="aligncenter size-full wp-image-98" title="red-painting" src="http://redheadwatch.com/blog/wp-content/uploads/2009/10/red-painting.jpg" alt="red-painting" width="500" height="346" /></p>
<p>watercolor, acrylic and graphite on paper. 5&#8243; x 7&#8243;. 2006. Painted by Son Dao (<a href="http://www.flickr.com/people/horselatitudes/" target="_blank">equusignis</a> on flickr). Original posting on flickr can be found <a href="http://www.flickr.com/photos/horselatitudes/283913285/" target="_blank">here</a>. This is posted with his permission. Please do not reproduce it, copy it or post it elsewhere without his permission.</p>
<p><strong>This Is Not an Elegy</strong><br />
<em> by Catherine Pierce</em></p>
<p>At sixteen, I was illegal and brilliant,<br />
my fingernails chewed to half-moons.<br />
I took off my clothes in a late March<br />
field. I had secret car wrecks,<br />
secret hysteria. I opened my mouth<br />
to swallow stars. In backseats<br />
I learned the alchemy of guilt, lust,<br />
and distance. I was unformed and total.<br />
I swore like a sailor. But slowly the cops<br />
stopped coming around. The heat lifted<br />
its palms. The radio lost some teeth.</p>
<p>Now I see the landscape behind me<br />
as through a Claude glass—<br />
tinted deeper, framed just so, bits<br />
of gilt edging the best parts.<br />
I see my unlined face, a thousand<br />
film stars behind the eyes. I was<br />
every murderess, every whip-<br />
thin alcoholic, every heroine<br />
with the silver tongue. Always young<br />
Paul Newman’s best girl. Always<br />
a lightning sky behind each kiss.</p>
<p>Some days I watch myself<br />
in the third person, speak to her<br />
in the second. I say: I will<br />
meet you in sleep. I will know you<br />
by your stillness and your shaking.<br />
By your second-hand gown.<br />
By your bruises left by mouths<br />
since forgotten. This is not<br />
an elegy because I cannot bear<br />
for it to be. It is only a tree branch<br />
against the window. It is only a cherry<br />
tomato slowly reddening in the garden.<br />
I will put it in my mouth. It will<br />
be sweet, and you will swallow.</p>
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